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Aguilar PSU-1 9 volt Universal Power Adapter Aguilar PSU-2 18 volt Universal Power Adapter Electro Harmonix Nano Steel Leather Bass Expander
Aguilar Amplification Universal Power Supply for Aguilar Effects Pedals.

This universal power supply accepts 100-240 volts and include 4 different AC adapter plates to work with any countries AC outlet.
9 -volt version.

Aguilar Amplification Universal Power Supply for Aguilar Effects Pedals.

This universal power supplie accepts 100-240 volts and include 4 different AC adapter plates to work with any countries AC outlets.

18-volt version.

Make your bass cut through any mix!
The Steel Leather from Electro-Harmonix gives your bass a sound that will punch through any mix. It enhances your picking and plucking of notes on the bass guitar, giving the notes a sharp attack that will easily cut through. Use the two knobs to adjust the amount of effect from subtle attack to a total emphasis of the attack. The louder you play, the more Steel Leather expands and emphasizes the attack. But on quiet notes, there may be no expansion at all. This means you can use Steel Leather to sharpen attacks simply by playing louder.
Korg Pitchblack Mini Tuner Pedal Electro Harmonix Bass Blogger Source Audio Dual Expression Pedal
The Electro-Hamonix Bass Blogger's ultra-subtle distortion creates the perfect dialog with your drummer. Dial in your ideal fuzz with the effect pedal's no-fuss, three-knob design and fuzz/drive selector switch. Dry/effect outputs. Electro-Harmonix XO Bass Blogger Distortion Effects Pedal Features: Volume, tone, drive controls Fuzz/drive toggle Dry out Effect out Free Shipping!

The Source Audio Dual Expression Pedal delivers precision response and smooth action in a durable cast aluminum housing. Dual TRS expression outputs make it possible to control two effects units simultaneously. The pedal is compatible with any model or brand of effect that features a TRS expression input. The Range Adjust Knob sets the bottom point of the expression range. Plus, a special Sensor Output connects directly to any Hot Hand®, Soundblox®, Soundblox 2, or Soundblox Pro pedal for real-time control over filter sweeps, effect modulation, LFO speeds, wet/dry mixes, drive levels and more.


· Two Isolated TRS Expression Outputs – simultaneous control over multiple effect pedals or rack systems.

· Sensor Output — 1/8-inch; four conductor output compatible with all Soundblox, Soundblox 2, or Soundblox Pro pedals.

· Range Adjust Knob — Adjusts the range of expression signal sent through the outputs.

· OUTPUT 1: sends expression signal out via either ¼ inch TRS cable or 4 conductor Soundblox compatible 1/8 inch sensor cable.

· OUTPUT 2: sends expression signal out via ¼ inch TRS cable.

· Rugged, cast aluminum housing.

· Includes one ¼-inch TRS connector cable and one 1/8 inch four conductor Sensor Output cable

· Dimensions: 10 in/25.4cm (Length) x 4 in/10.2cm (width) x 3 in/7.6cm (height)

Source Audio Soundblox Multiwave Bass Distortion MXR M84 Bass Fuzz Deluxe Way Huge Electronics Swollen Pickle MKII
MXR M84 Bass Fuzz Deluxe
Our Price: $129.99
The Soundblox Multiwave Bass Distortion features the same multi-band process that made the original Multiwave guitar pedal so popular, but this time, the Source Audio engineers adapted the process to compliment the unique frequency range of the bass guitar. Multi-band processing divides a signal into multiple bands then distorts them individually, giving musicians unprecedented levels of sound clarity and note articulation. Bassists can effectively combine complex chords and intervals with distorted tones—the Multiwave eliminates the mush and allows each note to ring clear and true.

Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from “normal”, for a somewhat traditional distortion curve, to extreme “foldback” and “octave” settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs. This advanced sound control alleviates the tendency for low-end reduction associated with most bass distortion units.

The Multiwave Bass is also compatible with the Hot Hand® motion controller, adding even more expressive possibilities.

Diverse sound palette — featuring 21 varieties of our distortion algorithm.
Multiband processing — signal is split into multiple bands and distorted individually for unprecedented sound clarity.
Modern design — A thoughtfully designed box which features rugged construction and sleek looks.
State-of-the-art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters.
Motion Control — all Soundblox pedals are ‘Hot Hand Ready’ and can be used with any Hot Hand motion sensor to extend the capabilities of the unit.
Active Analog Bypass — bypass is fully routed around the DSP and active input ensures zero signal degradation.
Dimensions: 7 in./17.8cm (length not including I/O jacks) x 4 in./10.2cm (width) x 2 in./5cm (height, including knobs).
Next up in the award-winning MXR Bass Innovations line is the Bass Fuzz Deluxe. We dug up a rare vintage fuzz and modified it for the modern bassist. The resulting stompbox delivers a cutting and bold fuzz tone without degrading the punch and clarity of your original signal.

With separate Dry and Wet level controls, the Bass Fuzz Deluxe sounds like you’re running two different amps. Blend to taste, from subtle hairiness to full on raging fuzz, with Fuzz and Tone controls affecting only the Wet signal. The Bass Fuzz Deluxe features true hardwire bypass.
The most sought after and corpulent Way Huge pedal is back! The Swollen Pickle MkII surrenders super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it. With a twist of the Sustain control, you’re taken from mild crunch to Armageddon! The Filter control retains its trademark insane range of heavily band-pass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp! Newly added features include a tone stack Scoop control that elicits classic Swollen Pickle mid-scoop or a flat mid-frequency sweep, and a Crunch knob to adjust the compression intensity of the fuzz. Finally, under the hood, the Swollen Pickle MkII has two internal mini controls; Voice sets the intensity of the external scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.
Heavy Electronics El Oso Bass Distortion Source Audio Soundblox Programmable EQ Zvex Mastotron
Zvex Mastotron
Our Price: $159.00
Crushing Bass Distortion... The Oso is the lowest and baddest distortion circuit presented by Heavy Electronics so far. El Oso blends roaring low-end gain with the dry signal and readily pours out both thump and gain to the input of your amp. Mix knob has total effect, at full mix there is no hint of the dry signal and at zero mix the output signal is undistinguishable from the true-bypass signal. A JFET input signal buffer guarantees a solid match with the wide variety of impedances found in bass pickups. Distortion top-end is rolled-off nicely, with plenty of room for a bright maple-board P-bass and enough contouring to do away with any harshness often found in lesser bass distortions. Using the mix and gain knob together the user can create a deep palette of bass distortion tones. High gain and low mix sounds very different than low gain and mix even though dynamically similar. Very simple to use and operate users will "find the tone" within seconds. Perfect for the stage-performing bassist.

Hand-made in Minneapolis Mn. by Musicians -Lifetime Warranty (Barring Obvious Abuse) -Upgrades, Repairs and Mods Available for Life -Voiced Openly for Guitar, Bass or any Instrument -True Bypass Switching & Minimum Length Leads -PCB Designed, Printed and Populated by H.E. -1 oz. Copper 1/16" Single Point Mounted PCB -24mm Large Size Pots for Maximum Reliability -Flying Leads to all Potentiometers and Jacks -Neutrik or Switchcraft 1/4 inch Signal Jacks -Sealed Metal LED Housing with Flying Leads -9V 200MA Power for Maximum Compatibility -Powder-Coated Die-Cast Aluminum Enclosure -Excellent Customer-Service Ready to Help -Inquire for Custom-Options, Colors and Graphics -Dual Quality-Control Testing (both Audio & Build)
The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This compact, rugged, cast aluminum stompbox provides quick, hands-free access to four different user programmed EQ settings. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.

The Programmable EQ packs plus or minus 18dB of range over seven frequency bands, plus an additional frequency band at 62Hz, accessible via the Octave Extend function. Engaging the Octave Extend systematically optimizes the pedal’s frequency spectrum to accommodate the specific frequency range of the bass. Once you’ve dialed in the desired guitar or bass tone, save it in one of four programmable user presets. Each preset is easily accessible via the hands-free footswitch scrolling function. Simply hold down the footswitch and let the pedal scroll through each preset at an adjustable rate – release to engage. The pedal’s MIDI input also provides remote access to user presets or engages/disengages the effect. Run a MIDI signal from your POD, Eventide Space reverb, TC Nova System or any other MIDI compatible multi-effects unit and vastly expand your tone horizon within each preset.

The Programmable EQ offers a substantial clean boost of up to 12dB. Use the clean boost for an entirely transparent volume increase or go further and give your amp the front-end push needed for an aggressive natural break-up. The relay-based true bypass footswitch provides improved reliability, remote switching capabilities, and a completely unaffected, hard wire signal in bypass mode. As a bonus, the Auto-scrolling function, which automatically scrolls between all four presets at an adjustable rate, creates unique and dramatic effects similar to sequencer or tremolo units.

+/- 18dB range over seven frequency bands.
Four independent programmable user presets easily recalled via the Footswitch.
Octave Extend Function: optimizes the EQ for bass with an additional freq band at 62Hz.
Small Footprint: A compact, rugged, cast aluminum housing.
12dB of clean boost.
Auto-scrolling function: automatically scrolls through all four presets to create unique and dramatic effects similar to sequencer or tremolo units.
Hardwire “True” Bypass: utilizes a small-signal relay for improved reliability and remote switching capabilities.
MIDI input: recall presets, engage/bypass remotely via MIDI.
State-of-the-art DSP — our proprietary 56-bit Digital Signal Processor, the SA601 and crystal-clear 24-bit converters.
Dimensions: 4.5 in/11.4cm (Length) x 2.5 in/6.4cm (width) x 2 in/5.1cm (height)
Runs on a 9V battery (included) or power supply (not included).
A sub-heavy silicon fuzz with some new twists: An input impedance control (push/relax) that adjusts from passive pickupsto line level. It works very well for re-amping bass tracks that needto be fuzzed up after tracking and keyboards. There’s also a three-position sub control switch, a treble tone control, adjustable pulse width, and a wide fuzz depth control. More flexible than any silicon fuzz to date.

Pedal Dimensions (LxWxH): 4.70" x 2.38" x 1.82"
Aguilar Octamizer Bass Octave Pedal Source Audio Soundblox 2 Multiwave Bass Distortion Source Audio Soundblox 2 Dimension Reverb
BACK IN STOCK! Every bass player wants deep organic tone. The Octamizer™ is the innovative analog octave pedal from Aguilar. Designed to create a wide range of musical sounds an octave below your original note, you will be " octamized" ! The Octamizer™ features independent volume controls for both the "Clean" and "Octave" sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The "Clean Tone" control uses a Full Spectrum Tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone. The Octamizer's "Octave Filter" control is a multipole low-pass Filter that lets you shape the octave sound from smooth and deep to edgy and aggressive. Features: Proprietary detector circuit for superior tracking Dual Filter Architecture Full Spectrum Tilt EQ for Clean sound Continuously variable multipole low-pass Filter for Octave sound Gig-saver bypass (signal passes even if your battery dies) Powered by one nine volt battery or optional universal power supply Heavy Duty steel construction Specs: Inputs: One 1/4" jack Outputs: One 1/4" jack EQ: Full Spectrum Tilt EQ for Clean sound Continuously variable multipole low-pass Filter for Octave sound Controls: Engage switch The Soundblox 2 Multiwave Bass Distortion includes all the low-end retaining distortion and fuzz tones of the original Soundblox Multiwave Bass Distortion, repackaged in a compact, cast-aluminum housing. The pedal features 23 traditional and non-traditional synth-like effects plus a Clean Boost mode, two user presets, three-band tone control, separate Clean and Distortion Mix knobs, Universal Bypass™ (selectable buffered or true bypass), a three-level noise gate, and a Multi-function input compatible with Hot Hand®, the Source Audio Dual Expression Pedal, or MIDI*. Use the Hot Hand Motion Sensor Ring or the Source Audio Dual Expression Pedal for on-the-fly control over any of the six adjustable parameters or to seamlessly morph from one user preset to the other. Plug in a MIDI controller for external access to presets and parameters.

The Soundblox 2 Multiwave Bass Distortion features both multi band and single band processing. Multi band processing splits the input signal into ten distinct frequencies bands, distorts each one separately then recombines them for the final output signal. The effect is a crisp distortion with superior low-end preservation and note articulation. Single band processing employs a more conventional approach, applying a single distortion element to the entire signal. The processing categories are further broken down into three subcategories: “Normal”, for a more traditional distortion curve, “Foldback”, for an aggressive, synth-like fuzz and “Octave”, for unique octave-up distortion effects.

Diverse Sound Palette — Featuring 23 varieties of our unique distortion algorithms with an additional CLEAN BOOST mode.
Multiband Processing — Signal is split into multiple bands and distorted individually for unprecedented sound clarity.
Compact, cast aluminum housing.
2 User Presets easily recalled via two footswitches.
Universal Bypass — selectable buffered or true bypass.
3-band tone control — select between “treble”, “mid”, and “bass” for precision tone sculpting.
Noise Gate — easily activated 3-level noise gate.
Multi-function In — use an expression pedal or the Hot Hand Motion Sensor to morph between presets or manipulate any of the six assignable parameters.
MIDI Capable — the Multi-function In jack also allows MIDI access to presets and parameters.
State-of-the-art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters.
9V DC power supply included
The Soundblox 2 Dimension Reverb offers 12 distinct shades of reverb. Choose from 6 reflectively diverse room sounds, two plate and two spring reverbs, modulation reverb, and echo. The assignable “Option” knob makes it possible to adjust 9 different parameters: wet/dry mix, time (i.e. resonance), bass, treble, pre-delay, diffusion, output level, modulation rate, and modulation depth.

The Soundblox 2 Dimension Reverb features a compact, durable cast aluminum housing, 2 user presets, and Multi-function in and out jacks compatible with Hot Hand®, the Source Audio Dual Expression Pedal, or MIDI*. Use the Hot Hand Motion Sensor or the expression pedal for on-the-fly control over any of the 9 adjustable parameters, or plug in a MIDI controller for external access to presets and parameters.

Diverse Sound Palette — Featuring 6 different room sounds, 2 plate reverbs, 2 spring reverbs, modulation reverb, and echo.
Compact, cast aluminum housing.
2 User Presets easily recalled via two footswitches.
Universal Bypass — selectable buffered or true bypass.
9 Adjustable Parameters — adjust the wet/dry mix, time (i.e. resonance), treble, bass, pre-delay, diffusion, output level, modulation rate, and modulation depth.
Multi-function In — use the Source Audio Dual Expression Pedal or the Hot Hand Motion Sensor for on-the-fly control over any of the 9 adjustable parameters.
MIDI Capable — the Multi-function In jack also allows MIDI access to presets and parameters.
State-of-the-art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters.
9V DC power supply included
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2.25 in./5.7cm (including knobs)
Source Audio Soundblox 2 Manta Bass Filter Pedal Boss SYB-5 Bass Synthesizer MXR M83 Bass Chorus Deluxe
MXR M83 Bass Chorus Deluxe
Our Price: $169.99

The Soundblox 2 Manta Bass Filter is the next generation of the popular Soundblox Pro Bass Envelope Filter. The Manta features 12 finely crafted filter effects plus eight variations of distortion, a feature not seen before in the Soundblox line of filter effects. These Distortion Types are not just crunch, or amp simulation; they are specifically designed to work in tandem with the filter effect selections. The pedal’s filters are controllable by its 2 envelope followers, or sine, square, and saw tooth LFO. Plus, like all Soundblox 2 pedals, the Manta is compatible with the Source Audio Dual Expression Pedal, the Hot Hand 3 Wireless Effects Controller, or MIDI control signals via the Soundblox HUB.

The Manta features a very unique signal path, internally splitting the instrument’s dry and distorted signals. The dry signal alone controls the envelope, increasing the playing response from the filter. The pedal’s 12 filter effects include 2 and 4-pole Low-Pass, Single-Peak, Multi-Peak, and Phasers. The Distortion Types include Hard and Soft clip, Octave distortion, Fold-back, Quantized, and synth-like Gated Fuzz. Each distortion has independent gain levels adjusted by the Drive control.


· Diverse Sound Palette — Features up to 24 different Low Pass, High Pass, Band Pass, Single Peak, Multi-Peak, and Notch filters.

· Deep Control Set — Access to control parameters typically found in only professional rack-mount effects, or computer software.

· Drive/Distortion Type — Add a variety of gain and distortions to any of the Manta’s effects for an added boost and flavor.

· State-of-the-Art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters.

· Multi-Function Jacks — Use the Source Audio Hot Hand motion sensors, or Dual Expression Pedal, for on-the-fly control over modulation or any adjustable parameter.

· MIDI Capable — Use the Soundblox HUB (connected to the Multi-Function Input) to allow MIDI access to controlling parameters, and save up to 128 user presets.

· Universal Bypass — Select either analog buffered or relay based True Bypass.

· Compact, rugged, cast aluminum housing.

· 9V DC power supply included

· Dimensions: L: 4.5in/11.4cm x W: 4.5in/11.4cm x H: 2.25in/5.7cm (including knobs)

The BOSS SYB-3 was the world's first bass synthesizer to be packed into a compact pedal, and it found favor with experimentalists and tone afficiandos alike. Today, the next-generation bass-synth pedal has arrived - the SYB-5. Utilizing the latest in DSP technology, the SYB-5 faithfully reproduces the fat and sharp sound characteristics of classic analog synthesizers. The MXR Bass Chorus Deluxe is powered by pure analog bucket-brigade technology, serving up shimmering, liquid chorus and swooshing, metallic flanger effects while preserving the punch and fundamental of your low end.

The Bass Chorus Deluxe features top-mounted Flanger and X-Over buttons with LED status indicators. In X-Over Mode, modulation in low frequencies is decreased at 100Hz—perfect for playing upper register chords, melodies and fills while keeping the low end in tune. With Bass and Treble controls you can cut or boost lows and highs and shape the tonal character of the effect. For a wide stereo sound, select the TRS (tip-ring-sleeve) Stereo Hardwire Bypass Mode via an internal switch. In this mode, you can use a TRS to TS (tip-sleeve) Y-splitter cable to send the effect signal to two different amplifiers, allowing the modulation to move from left to right.
T-Rex Bass Juice Aguilar Agro Bass Distortion Pedal EBS DPhaser FREE SHIPPING!
T-Rex Bass Juice
Our Price: $174.00
Our Price: $180.00
Distortion That Keeps Your Low End Intact
T-Rex's Bass Juice distortion pedal was designed to offer bass players all the grind they desire, without losing precious low end. The gain knob sweeps from a mild overdrive to searing high-gain tones with a thick and harmonically rich sound. A mix control lets you blend your clean signal back in to taste, ensuring you don't lose any of your lower frequencies. And the Bass Juice's boost footswitch helps you add even more gain or get a volume boost above the band. The T-Rex Bass Juice distortion pedal is built with great bass tone in mind.

T-Rex effects: guitarist designed, quality built
Danish tone pioneers T-Rex Engineering have been making quality effects pedals and guitar gear since the 1990s. T-Rex pedals are made using some of the best components in the industry, like film/foil electrolytic capacitors, lifetime-use pots, and rugged footswitches, toggles, and connectors. T-Rex's better-known pedals include the Replica digital delay and Mudhoney distortion, which can be found on the pedalboards of top musicians David Gilmour, John Mayer, Mark Tremonti, and Steve Morse, as well as many of Sweetwater's players.

T-Rex Bass Juice Distortion Pedal Features:
Distortion pedal designed for bass players
Wide ranging gain control
Mix knob lets you dial in the dry and effected signals
Boost footswitch adds more gain and volume to your sound
Rugged aluminum enclosure
The T-Rex Bass Juice is a distortion pedal that's built for you.
The AGRO® is based on the saturation channel of Aguilar’s celebrated AG 500 bass head. Capable of producing everything from warm, tube-like overdrive to full on distortion, this pedal will give you the grind you need without sucking out your low end. The AGRO® offers a wealth of overdriven sounds within an easy to use, 4-knob layout. The Saturation control offers a tremendous range of distortion while the Contour control allows you to dial in a scooped or a more aggressive boosted midrange sound. The Presence knob adds the right amount of ‘attack’ ensuring that your bass remains defined even with the most saturated settings. The output level control guarantees that you’ll be able to get the distortion you want at any volume level. Features: Separate Saturation and output level controls Contour control: broad spectrum mid scoop centered around 900Hz Presence control: + 6dB/-20dB >4kHz Gig-saver bypass (signal passes even if your battery dies) Power: Nine-volt battery or optional universal power supply Heavy Duty steel construction Inputs: One 1/4" jack Outputs: One 1/4" jack Controls: Engage switch Warranty: Three year limited Optional: 9 volt power supply Now In Stock! Free Shipping! The EBS DPhaser offers three very distinct and different phaser effects. Select everything from classical 70’s sounds up to hyper modern swarling phasing effects. From the 70's to the 21st Century! The DPhaser offers three different modes of cool phaser effects. 'Short' is the classic phaser effects recognized from the 70's, 'Long' emphasize the effects a bit more, while 'Wide' gives you extrem swarling flanger-like effects. Hi, Lo and Off decides the resonance of the effect while the two controls change the width and rate. In addition you can set a lot of parameters inside the box for fine tuning your sound. Digital Technique - Analog Sound The pedal is built with highest quality components and uses 24-bit digital processing circuitry for outstanding performance on stage and in the recording studio. While the pedal offer juicy analog sound, the use of digital technique makes it possible to fit in the same compact format that the Black Label Pedals are knowned and praised for. Technical Specifications Nominal Input Level - 8 dBv Input Impedance 700 kohms Bypass Bandwidth +0 / -3 dB 20 - 20k Hz Phaser Types Short (S) 4 or 6 stages Long (L) 8 or 10 stages Wide (W) 18 stages differential LFO Range min / max 0.05-10 Hz LFO Types Sine and Triangle Low frequency bypass Optional < 130 Hz Sampling Frequency 48 kHz Dynamic Range Typ 100 db A-weighted Dimensions (WxHxD) 70 x 115 x 35 mm / 2.8 x 4.5 x 1.4" Weight 480g (1.07 lb.) Bypass True Bypass Power Requirements 9 V DC Regulated, 110 mA max  FREE SHIPPING!
EBS Uni Chorus Pedal FREE SHIPPING! EBS Bass IQ Envelope Filter Pedal FREE SHIPPING! EBS Metal Drive FREE SHIPPING!
With the EBS UniChorus you can choose between low noise studio quality Chorus, Flange and Pitch Modulation effects.  Analog Processing The pedal is built with the best analog processing circuitry. This gives a smoother, warmer and fatter sounding chorus/flange effect, useful both for live and studio performances.  Technical Specifications: Nominal Input Level - 8  Input Impedance 1 M ohms (stereo), 500 kohms (mono) Output Impedance 100 ohms Bypass Bandwidth True Bypass Modulation Amplitude or Low Pass Filter Modulation Range max +6dB - -40dB (amplitude) max 250 Hz - 10kHz (filter) LFO Range 0.2 - 15 Hz LFO Type Sine/Square/Sawtooth Dimensions (L x W x H) 2.8 x 4.5 x 1.4 (70 x 115 x 35 mm) Weight 450g (1 lb.) Power Requirements 9 V DC Stabilized, 20 mA  FREE SHIPPING! EBS Bass IQ Analog Envelope Filter Pedal EBS BassIQ Triple Envelope Filter Pedal Specifications: Nominal Input Level: -8dBv  Input Impedance: 200 kohms  Bypass bandwidth (+0/-2dB): 20-20kHz  Filter Range: 30-6kHz  Filter Q (min/max): 3/10 Filter Mode: Down/Up/Up-HiQ Threshold: -50-+6dBv Attack Time (80%): 50ms-2s Dimensions 2.8"W x 4.5"H x 1.4"D 1 lbs. Power requirements: 9V DC regulated, 10 mA EBS BassIQ Triple Envelope Filter Pedal Features: Analog envelope filter pedal 3 modes: Hi-Q, Up, and Down Reacts to playing touch Threshold and Attack knobs Preserves entire frequency range of signal Noiseless switching Rugged construction Ships Free! The EBS MetalDrive is the eighth pedal in the EBS Black Label series. The idea behind the pedal was born after modifying a MultiDrive pedal for bass player John Moyer of Disturbed, who needed a pedal for bass that delivered not only overdrive but pure metal distortion that could match Disturbeds famed heavy guitar riffs. So, EBS techs took on the commission to create the meanest and heaviest distortion pedal ever made for bass, and came up with the EBS MetalDrive!  NOW IN STOCK !
Mad Professor Snow White Auto Wah Big John Granny Puker MXR M87 Bass Compressor
Big John Granny Puker
Our Price: $189.00
MXR M87 Bass Compressor
Our Price: $189.99
The Mad Professor Snow White Auto Wah contains circuitry based off of a remote wah circuit from a 1991 BJF rackmount, along with the inclusion of an envelope filter. It contains knobs for Sensitivity, Bias, Resonance, and Decay, the final of which controls how quickly the filter frequency returns to its start. Big John Granny Puker:
The Big John Granny Puker will give you a dirty octave (down) sound & weird distortion effects. Functions are: Volume control, Mixer control (mix-in the amount of octave down), Puke control (adjusts the amount of distortion). You can use the Granny Puker as a distortion box: turn the mixer knob to the minimum (good for chords). You can use the Granny Puker as a dirty octaver: turn the mixer knob to the maximum (good for melodies). This stompbox is designed for guitar as well as for bass guitar.

Completely made & handwired in Belgium
Point-to-Point wiring for better connection & sound
Best quality components, switches, alpha pots, thicker wiring
Beautiful layout & moog-style knobs
9Vdc simple adaptor connectivity (no battery, better for nature!)
Low noise performance at loud volumes
Virtually indestructible die-cast housing
True hardwire bypass
Take your favorite studio compressor to the stage with the MXR M87 Bass Compressor. A complete array of controls—Attack, Release, Ratio, Input, and Output—makes it easy to fine-tune your sound, from subtle peak limiting to hard squashed compression effects. Its CHT™ Constant Headroom Technology gives you plenty of headroom and clear performance. This totally transparent compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten, highly visible gain-reduction status LEDs. It’s all packed into a durable, lightweight aluminum-housing pedal that’s the size of a Phase 90.
Sadowsky SBP-2 Preamp Floor Pedal Electro Harmonix Enigma QBalls Bass Envelope Pedal HAO RR-1 Rust Ride Bass Overdrive

Sadowsky's famous preamp pedal, in a smaller footprint!

This year at NAMM 2017, Sadowsky released a new version of our popular preamp pedal. The new SBP-2 has the same famous circuit that goes on all Sadowsky basses—just like the original Sadowsky Preamp/DI pedal—but with a slimmed down design and smaller footprint, perfect for crammed pedalboards as well as vintage basses where onboard preamp installation would affect resale value. It works with all passive basses, active pickups, and upright bass pickups.

The original Sadowsky Bass Preamp/DI Pedal as well as their onboard preamps still available here.

Sadowsky Bass Preamp Specs:

Frequency Response: 5Hz-20.9kHz

Power Source: 9V Batter

Battery Life: 870 Hours

Bass Control: + 13dB Boost @ 40Hz

Treble Control: + 13dB Boost @ 4kHz

Total Harmonic Distortion: 0.18% @ 1kHz

Output Impedance: 1K Ohm

The Electro-Harmonix Enigma Qballs effects pedal is a powerful and precise envelope filter fine-tuned for bass frequency response. Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Enigma Qballs will deliver tight and smooth control over the complete 40 Hz to 3 kHz range, with a consistent and even sweetness. Envelope controlled filters are a unique type of sound modifier where the intensity of the effect is controlled by the user's playing dynamics. The volume and dynamic of the incoming audio signal is used to control a swept filter. As the volume increases or decreases so does the frequency of the filter. With 3 selectable filter modes, along with START, STOP, ATTACK, DECAY, Q and SENSITIVITY controls, Electro-Harmonix gives you many classic and modern Q sounds to play with to dial in vivid textures like never before. An analog distortion circuit was created specifically for the Enigma Qballs, and adds a dynamic edge to the filter's sound. Need some edge? Engage Enigma's analog distortion and dial in anything from subtle bite to dominating crush. You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, Enigma Qballs bass pedal becomes one of the most versatile wahs available. Electro-Harmonix Enigma Qballs Envelop Filter Bass Effects Pedal Features: Blend control Mode control Attack control Decay control Start control Stop control Sensitivity control Distortion footswitch/status LED Expression pedal input Bypass footswitch/status LED Input jack Effect out jack Direct out jack FREE SHIPPING! The Rust Ride Overdrive Pedal is HAO's first and only bass driver unit. Rust Ride was born to give bass players a blistering overdrive without losing low-end and note clarity. With a preset 3-position EQ switch (Normal, Bright, Warm), the Rust Ride bass stompbox offers a lot of tonal options. Also, Passive and Active inputs allow you to operate the Rust Ride bass overdrive with any type of bass pickups while individual Direct and Effect outputs allow a routing of clean bass tone to a tuner P.A., or a second amplifier for blending dry and effect signals. Using Rust Ride with a guitar reveals the whole new dimension of the pedal with tight low-end and high-octane overdrive/distortion.
3-position EQ switch
Passive and Active inputs
Direct and Effect outputs